These are the 10 that strike me as most memorable / pivotal.) So go ahead, dust off your Deadwood felonies, judge the townsfolk by their sins, and get yourself ready for one more epic visit to the Black Hills camp. (There were too many crimes to count, frankly. In order to brush up on the Deadwood particulars, I thought the best primer might be a quick review of the many, many crimes undertaken by the show’s characters, as well as a few unseen forces. That fateful coda is now upon us: set for a May 31st premiere on HBO.
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Following a wait of over a dozen years, after the season was abruptly canceled in 2006, the powers-that-be at HBO have finally seen fit to give David Milch and the gang a proper sendoff by way of a feature-length movie picking up 10 years after the final events of Deadwood the series. In fact, the crimes themselves seem to me the key to understanding Deadwood, or its sprawling plot anyway. Was it really a western? Was it an ode to the works of Joseph Conrad? I’ve always thought of Deadwood as noir: a world defined by crime, rendered with style, and awash in the kind of spirituality that’s afraid all this striving may (or may not) be in vain. That’s all to say, it was difficult to classify. Deadwood, arguably the greatest television series ever made, was a western, or possibly a morality epic, or maybe a social parable, that was very nearly set instead in ancient Rome and very much was delivered in an ornate, high-low dialect located somewhere between Shakespeare, the Bible, and a back alley brawl.